Streamline Your Sound: Four Cutting-Edge Methods to Enhance Video Audio Quality

How to Adjust Audio Volume in Videos [4 Ways]

Shanoon Cox

Mar 27, 2024• Proven solutions

Some of the greatest film directors of all time have used sound to make the scenes in their movies more dramatic, romantic or to build suspense. The importance of sound for the overall quality of a video is often overlooked by young filmmakers, as they tend to dedicate all of their attention to the visual part of their projects.

The fact of the matter is that even a minor error in the video’s soundtrack can distract the viewer and ruin a video completely. That’s why, in this article, we are going to show you four different methods of adjusting the audio volume in Filmora.

To increse the volume of your video, click here.

Four Ways of Adjusting Audio Volume in Filmora

The audio clips often have different volume levels, so in order to create a balanced soundtrack, you have to adjust the volume of each audio track you intend to use in your projects. Filmora offers several different ways to adjust the volume of audio files quickly and effortlessly. Here’s how you can increase or decrease the volume of the audio clips in Filmora.

Download Filmora and watch the video below to get a full knowledge abtou adjusting volume!

1. Changing the Audio Volume of Entire Track

This is probably the easiest and fastest way to adjust the volume of a video or an audio file in Filmora. After you import the file into a project you just have to add it to a certain position on the timeline. You can do this by simply dragging and dropping the file at the location on the timeline where you want the file to be placed. Click on the Add Track menu that is located in the upper left corner of the timeline and select the Big option from the Adjust Track Height submenu.

Enlarging the video and audio tracks will enable you to see the audio volume line that is displayed over all clips that contain sound you add to the timeline. Click on the line and drag it upwards if you would like to increase the volume or drag it downwards if you want to decrease the volume of an audio or a video file.

2. Applying the Fade In and Fade Out Effects to Change the Audio Volume Partially

Once you add an audio clip to an audio track on Filmora’s timeline, you can adjust its volume from the Audio Editing panel. Double-clicking on an audio file will bring up the Audio Editing panel that contains Fade In and Fade Out sliders. Both sliders are going to be set to zero by default, so you just have to drag each of them to the right in order to create the Fade In or Fade Out effect.

Filmora also lets you create the Fade In and Fade Out effect directly from the timeline, as you just have to hover the mouse over an audio file and drag the Fade In or Fade Out markers to set the duration of the effect for that particular file.

3. Using the Volume Slider to Change the Audio Volume

On the left side of the Audio Editing panel that can be accessed by double clicking on an audio file, you will be able to see the volume slider. Its value is going to be set to 0 dB by default and you just have to drag it upward or downward in order to adjust the audio volume. As you drag the slider the new audio volume value is going to be displayed in a box below the slider. The left/right balance value can be adjusted by dragging the knob that is located above the volume slider in either direction. Alternatively, you can insert a new numerical value in the box below the knob. If the displayed value is 0 dB, then the left and right channels are balanced, while the value of -100 dB means that all the sound goes through the left channel and if the displayed value is 100 dB all the sound will go through the right channel.

4. Adding Keyframes to Adjust the Audio Volume

Once you add an audio file to the timeline you can adjust its volume by adding keyframes to it. Place the playhead to the exact spot in the audio file where you want to add the first keyframe and then double click on the file to bring up the Audio Editing panel. Click on the Add Volume Keyframes icon and use the volume slider to adjust the volume at the position of the first keyframe.

Simply move the playhead and change the value on the volume slider to add new keyframes to the audio file. This method of adjusting audio volume enables you to set different volume values for different parts of an audio file.

Still not solved? Try this audio guide of Filmora to settle all the audio problems.

Conclusion

Having complete control over the volume of all audio files you use in your projects is important for so many different reasons. Filmora offers four easy ways to adjust the audio volume so you can focus on more important tasks. Which method of adjusting the audio volume in Filmora do you like to use the most? Leave a comment and let us know.

Shanoon Cox

Shanoon Cox is a writer and a lover of all things video.

Follow @Shanoon Cox

Shanoon Cox

Mar 27, 2024• Proven solutions

Some of the greatest film directors of all time have used sound to make the scenes in their movies more dramatic, romantic or to build suspense. The importance of sound for the overall quality of a video is often overlooked by young filmmakers, as they tend to dedicate all of their attention to the visual part of their projects.

The fact of the matter is that even a minor error in the video’s soundtrack can distract the viewer and ruin a video completely. That’s why, in this article, we are going to show you four different methods of adjusting the audio volume in Filmora.

To increse the volume of your video, click here.

Four Ways of Adjusting Audio Volume in Filmora

The audio clips often have different volume levels, so in order to create a balanced soundtrack, you have to adjust the volume of each audio track you intend to use in your projects. Filmora offers several different ways to adjust the volume of audio files quickly and effortlessly. Here’s how you can increase or decrease the volume of the audio clips in Filmora.

Download Filmora and watch the video below to get a full knowledge abtou adjusting volume!

1. Changing the Audio Volume of Entire Track

This is probably the easiest and fastest way to adjust the volume of a video or an audio file in Filmora. After you import the file into a project you just have to add it to a certain position on the timeline. You can do this by simply dragging and dropping the file at the location on the timeline where you want the file to be placed. Click on the Add Track menu that is located in the upper left corner of the timeline and select the Big option from the Adjust Track Height submenu.

Enlarging the video and audio tracks will enable you to see the audio volume line that is displayed over all clips that contain sound you add to the timeline. Click on the line and drag it upwards if you would like to increase the volume or drag it downwards if you want to decrease the volume of an audio or a video file.

2. Applying the Fade In and Fade Out Effects to Change the Audio Volume Partially

Once you add an audio clip to an audio track on Filmora’s timeline, you can adjust its volume from the Audio Editing panel. Double-clicking on an audio file will bring up the Audio Editing panel that contains Fade In and Fade Out sliders. Both sliders are going to be set to zero by default, so you just have to drag each of them to the right in order to create the Fade In or Fade Out effect.

Filmora also lets you create the Fade In and Fade Out effect directly from the timeline, as you just have to hover the mouse over an audio file and drag the Fade In or Fade Out markers to set the duration of the effect for that particular file.

3. Using the Volume Slider to Change the Audio Volume

On the left side of the Audio Editing panel that can be accessed by double clicking on an audio file, you will be able to see the volume slider. Its value is going to be set to 0 dB by default and you just have to drag it upward or downward in order to adjust the audio volume. As you drag the slider the new audio volume value is going to be displayed in a box below the slider. The left/right balance value can be adjusted by dragging the knob that is located above the volume slider in either direction. Alternatively, you can insert a new numerical value in the box below the knob. If the displayed value is 0 dB, then the left and right channels are balanced, while the value of -100 dB means that all the sound goes through the left channel and if the displayed value is 100 dB all the sound will go through the right channel.

4. Adding Keyframes to Adjust the Audio Volume

Once you add an audio file to the timeline you can adjust its volume by adding keyframes to it. Place the playhead to the exact spot in the audio file where you want to add the first keyframe and then double click on the file to bring up the Audio Editing panel. Click on the Add Volume Keyframes icon and use the volume slider to adjust the volume at the position of the first keyframe.

Simply move the playhead and change the value on the volume slider to add new keyframes to the audio file. This method of adjusting audio volume enables you to set different volume values for different parts of an audio file.

Still not solved? Try this audio guide of Filmora to settle all the audio problems.

Conclusion

Having complete control over the volume of all audio files you use in your projects is important for so many different reasons. Filmora offers four easy ways to adjust the audio volume so you can focus on more important tasks. Which method of adjusting the audio volume in Filmora do you like to use the most? Leave a comment and let us know.

Shanoon Cox

Shanoon Cox is a writer and a lover of all things video.

Follow @Shanoon Cox

Shanoon Cox

Mar 27, 2024• Proven solutions

Some of the greatest film directors of all time have used sound to make the scenes in their movies more dramatic, romantic or to build suspense. The importance of sound for the overall quality of a video is often overlooked by young filmmakers, as they tend to dedicate all of their attention to the visual part of their projects.

The fact of the matter is that even a minor error in the video’s soundtrack can distract the viewer and ruin a video completely. That’s why, in this article, we are going to show you four different methods of adjusting the audio volume in Filmora.

To increse the volume of your video, click here.

Four Ways of Adjusting Audio Volume in Filmora

The audio clips often have different volume levels, so in order to create a balanced soundtrack, you have to adjust the volume of each audio track you intend to use in your projects. Filmora offers several different ways to adjust the volume of audio files quickly and effortlessly. Here’s how you can increase or decrease the volume of the audio clips in Filmora.

Download Filmora and watch the video below to get a full knowledge abtou adjusting volume!

1. Changing the Audio Volume of Entire Track

This is probably the easiest and fastest way to adjust the volume of a video or an audio file in Filmora. After you import the file into a project you just have to add it to a certain position on the timeline. You can do this by simply dragging and dropping the file at the location on the timeline where you want the file to be placed. Click on the Add Track menu that is located in the upper left corner of the timeline and select the Big option from the Adjust Track Height submenu.

Enlarging the video and audio tracks will enable you to see the audio volume line that is displayed over all clips that contain sound you add to the timeline. Click on the line and drag it upwards if you would like to increase the volume or drag it downwards if you want to decrease the volume of an audio or a video file.

2. Applying the Fade In and Fade Out Effects to Change the Audio Volume Partially

Once you add an audio clip to an audio track on Filmora’s timeline, you can adjust its volume from the Audio Editing panel. Double-clicking on an audio file will bring up the Audio Editing panel that contains Fade In and Fade Out sliders. Both sliders are going to be set to zero by default, so you just have to drag each of them to the right in order to create the Fade In or Fade Out effect.

Filmora also lets you create the Fade In and Fade Out effect directly from the timeline, as you just have to hover the mouse over an audio file and drag the Fade In or Fade Out markers to set the duration of the effect for that particular file.

3. Using the Volume Slider to Change the Audio Volume

On the left side of the Audio Editing panel that can be accessed by double clicking on an audio file, you will be able to see the volume slider. Its value is going to be set to 0 dB by default and you just have to drag it upward or downward in order to adjust the audio volume. As you drag the slider the new audio volume value is going to be displayed in a box below the slider. The left/right balance value can be adjusted by dragging the knob that is located above the volume slider in either direction. Alternatively, you can insert a new numerical value in the box below the knob. If the displayed value is 0 dB, then the left and right channels are balanced, while the value of -100 dB means that all the sound goes through the left channel and if the displayed value is 100 dB all the sound will go through the right channel.

4. Adding Keyframes to Adjust the Audio Volume

Once you add an audio file to the timeline you can adjust its volume by adding keyframes to it. Place the playhead to the exact spot in the audio file where you want to add the first keyframe and then double click on the file to bring up the Audio Editing panel. Click on the Add Volume Keyframes icon and use the volume slider to adjust the volume at the position of the first keyframe.

Simply move the playhead and change the value on the volume slider to add new keyframes to the audio file. This method of adjusting audio volume enables you to set different volume values for different parts of an audio file.

Still not solved? Try this audio guide of Filmora to settle all the audio problems.

Conclusion

Having complete control over the volume of all audio files you use in your projects is important for so many different reasons. Filmora offers four easy ways to adjust the audio volume so you can focus on more important tasks. Which method of adjusting the audio volume in Filmora do you like to use the most? Leave a comment and let us know.

Shanoon Cox

Shanoon Cox is a writer and a lover of all things video.

Follow @Shanoon Cox

Shanoon Cox

Mar 27, 2024• Proven solutions

Some of the greatest film directors of all time have used sound to make the scenes in their movies more dramatic, romantic or to build suspense. The importance of sound for the overall quality of a video is often overlooked by young filmmakers, as they tend to dedicate all of their attention to the visual part of their projects.

The fact of the matter is that even a minor error in the video’s soundtrack can distract the viewer and ruin a video completely. That’s why, in this article, we are going to show you four different methods of adjusting the audio volume in Filmora.

To increse the volume of your video, click here.

Four Ways of Adjusting Audio Volume in Filmora

The audio clips often have different volume levels, so in order to create a balanced soundtrack, you have to adjust the volume of each audio track you intend to use in your projects. Filmora offers several different ways to adjust the volume of audio files quickly and effortlessly. Here’s how you can increase or decrease the volume of the audio clips in Filmora.

Download Filmora and watch the video below to get a full knowledge abtou adjusting volume!

1. Changing the Audio Volume of Entire Track

This is probably the easiest and fastest way to adjust the volume of a video or an audio file in Filmora. After you import the file into a project you just have to add it to a certain position on the timeline. You can do this by simply dragging and dropping the file at the location on the timeline where you want the file to be placed. Click on the Add Track menu that is located in the upper left corner of the timeline and select the Big option from the Adjust Track Height submenu.

Enlarging the video and audio tracks will enable you to see the audio volume line that is displayed over all clips that contain sound you add to the timeline. Click on the line and drag it upwards if you would like to increase the volume or drag it downwards if you want to decrease the volume of an audio or a video file.

2. Applying the Fade In and Fade Out Effects to Change the Audio Volume Partially

Once you add an audio clip to an audio track on Filmora’s timeline, you can adjust its volume from the Audio Editing panel. Double-clicking on an audio file will bring up the Audio Editing panel that contains Fade In and Fade Out sliders. Both sliders are going to be set to zero by default, so you just have to drag each of them to the right in order to create the Fade In or Fade Out effect.

Filmora also lets you create the Fade In and Fade Out effect directly from the timeline, as you just have to hover the mouse over an audio file and drag the Fade In or Fade Out markers to set the duration of the effect for that particular file.

3. Using the Volume Slider to Change the Audio Volume

On the left side of the Audio Editing panel that can be accessed by double clicking on an audio file, you will be able to see the volume slider. Its value is going to be set to 0 dB by default and you just have to drag it upward or downward in order to adjust the audio volume. As you drag the slider the new audio volume value is going to be displayed in a box below the slider. The left/right balance value can be adjusted by dragging the knob that is located above the volume slider in either direction. Alternatively, you can insert a new numerical value in the box below the knob. If the displayed value is 0 dB, then the left and right channels are balanced, while the value of -100 dB means that all the sound goes through the left channel and if the displayed value is 100 dB all the sound will go through the right channel.

4. Adding Keyframes to Adjust the Audio Volume

Once you add an audio file to the timeline you can adjust its volume by adding keyframes to it. Place the playhead to the exact spot in the audio file where you want to add the first keyframe and then double click on the file to bring up the Audio Editing panel. Click on the Add Volume Keyframes icon and use the volume slider to adjust the volume at the position of the first keyframe.

Simply move the playhead and change the value on the volume slider to add new keyframes to the audio file. This method of adjusting audio volume enables you to set different volume values for different parts of an audio file.

Still not solved? Try this audio guide of Filmora to settle all the audio problems.

Conclusion

Having complete control over the volume of all audio files you use in your projects is important for so many different reasons. Filmora offers four easy ways to adjust the audio volume so you can focus on more important tasks. Which method of adjusting the audio volume in Filmora do you like to use the most? Leave a comment and let us know.

Shanoon Cox

Shanoon Cox is a writer and a lover of all things video.

Follow @Shanoon Cox

“Innovations in Noise Suppression: Applying Artificial Intelligence to Improve Sound Quality”

How to DeNoise AI

There have often been times when we took some photo or video with our mobile phones or digital cameras, but we found out later that the clip contained hiss, some compression or particles. Everyone, especially in this digital world, is trying to make their content as clean as possible, without impurities, for the audiences to watch, enjoy, and stay with the creators. So, you might find it really uncomfortable when you are in this kind of situation. But what you can do, is doable – you can depend on a video denoise software!

There are a lot of online or offline tools you could use to do that, and we have discussed a lot of them on our web-site, and now, we will review yet another way to achieve your desired result when it comes to noise and grain. So, in today’s article, we will touch upon how to AI DeNoise your image!

The case with this intelligent noise reduction for 2022 is that noise reduction software has been the same for over a decade. This is when DeNoise AI comes to play, because its approach is something new – it uses deep learning. The process is lengthy and focuses on learning millions of images, thus let DeNoise AI to accurately distinguish between real image detail and noise. This is so important because with this new technique, now it is possible to denoise images while actually recovering important detail, something that was impossible a few years ago.

Topaz DeNoise AI has a very simple and intuitive interface with different noise removal options. Anyway, using it in the most effective way would require some knowledge. Oh, and, it would be a headache if you have a slow computer!..

So, as mentioned, traditional noise reduction software most of the time reduces the original detail in the images, but DeNoise AI’s noise reduction eliminates noise, meanwhile, preserves the detail and even enhances it. The new update of Topaz DeNoise AI offers different advanced DeNoise AI Models that can be integrated perfectly into your workflow; you can use it as a standalone piece of software or as a plugin for Adobe Photoshop or Lightroom.

How to AI DeNoise a file

Let’s just suppose you don’t have the software. So, download and install Topaz DeNoise AI. Go to Topaz Labs and select your operating system: Windows or Macintosh OS. Then, install the program.

Once the installation is finished, you will be able to see the Topaz DeNoise AI icon among your applications. Topaz DeNoise AI plugins for Lightroom or Photoshop would also be added there automatically, without any further intervention. But, if that is not the case, it’s ok to add them manually.

The first time you open Topaz DeNoise AI, you can either log in with your Topaz Labs account or try the Denoise AI 30-day free trial.

So, let’s discover how to use DeNoise AI in its different versions!

First, how to remove digital noise with DeNoise AI: DeNoise AI supports most of the commonly used photography files like raw files, dng, tiff, jpegs, etc. So, open the program, drag or open your image and select the best AI model.

In the upper right corner, you will find a toolbar with these options:

Preview Options:

To change the view mode of the photo you’re working with, you can select:

• Original (original photo preview)
• Single (denoised photo preview).
• Split (Original and denoised photo preview with a split slider)
• Side by Side ( Original and denoised photo preview)
• Comparison ( Compare how the different Ai Models work in your photos at the same time).

Zoom

Zoom in on your images to accurately check the process’s progress.

Denoise AI full review and tutorial

On the right side, you’ll find:

• A navigator with the selected zoom box.
• A list with the following DeNoise AI Models:
• Standard: Broadly developed noise reduction that maintains detail.
• Clear: Best for photos with smooth and rounded surfaces such as skin, rocks, water, etc.
• Low light: Best for low-light conditions and heavy noise
• Severe noise: Best for extremely noisy photos
• Raw: The newest AI model in DeNoise. It provides excellent noise reduction, preserving detail, and authentic color starting from a RAW file.
• Main Settings. The Auto mode works great in most situations. However, it can be pretty aggressive and give your photos a washed-out look. With Manual Mode, you can set the adjustments according to your taste.
• The Post-processing sliders help reduce any color noise remaining in your photos and preserve original detail.
• Save Image: To set your output settings before saving your images.

Then, adjust the setting sliders (you can just select Auto mode here); now, apply the adjustments locally, if necessary, using the mask tool; and, save the file with the output settings selected.

Second, let’ts move to DeNoise AI workflow.

If you are trying to find the simplest way to start with DeNoise Ai, it’s better to use the suggested mode, - Light bulb icon! This will automatically select an AI model, and will do so based oon your image. Anyway, in order to remove digital noise there, it’s the best to use the updated comparison view. The reason is obvious – you can take a look right away and compare varied AI models, or the same ones with some different settings to your liking.

So, how to do just that? Well, select the AI model and fine-tune the adjustment using the following settings:

• Remove Noise: This slider is wonderful!. It removes the noise in your photo, but doesn’t kind of wash out the images. Values between 10-50 are the best in most cases.
• Enhance Sharpness: It sharpens and recovers the detail in images that may become a bit blurry after denoising. It would be excessive if you set the values over 30, in case you would like to avoid odd textures.

After that, you can refine your results with these DeNoise AI Post-processing adjustments:

• Recover Original Detail: It helps recover some detail that has been washed out after the noise reduction and adds a bit of grain to keep the image natural. 20-40 points is more than enough.
• Color Noise Reduction: This is a powerful tool that reduces any color noise remaining in your images. Zoom in on a dark area and adjust the slider until the color noise disappears and you are happy with the result!

And, the last topic to discuss is DeNoise AI Masking Tool! The software includes a very simple Mask tool in case you want to denoise the image only in certain areas and not in others. So, the key here is that DeNoise AI will apply your adjustments only to the areas that you paint in red.

You need to ckeck the Overlay tool to see the red color while painting. When you are satisfied with the areas you panted, After painting over these areas, you will see a preview of your mask in black and white. Here, white shows the adjustments while black hides them. Following this, DeNoise AI will just be applied to the areas painted in white.

And, the masking settings are:

• Add/Subtract: to paint in white or black and reveal or hide your adjustments.
• Size: to change the size of your brush.
• Softness: to change the hardness of your brush. Being 0 is the hardest and 100 the softest.
• Opacity: to vary the opacity of the mask to add precise local adjustments.
• Mask options: to clear or invert your mask.
• Overlay: to show in red these areas where you are painting.

Once you finish creating your mask, just click on the “apply mask” button, and there you go!

Wondershare Filmora X

Even though we discussed in so much detail how to DeNoise AI our images, it’s important to keep in mind that even videos need denoising. So, we decided to keep you informed about how to do that, as well. Wondershare Filmora X is something that can help us with that – it can change our damaged scene into something more acceptable. And in order to do so, first, you need to go to the Effects panel and type: “Smart Denoise”, then, right-click on the video and choose Edit Properties.

Free Download For Win 7 or later(64-bit)

Free Download For macOS 10.14 or later

With this, you will see the Smart Denoise, where you are able to change opacity of the clip, threshold and radius.

You can now reduce Opacity until you are satisfied with the result. The box next to Smart Denoise will show you the scene before and after the effect.

Of course, it is much easier than DeNoise AI looks and works, and it’s worth the try – will take so much less minutes!

Bonus tip: Wondershare Filmora audio denoise

We already explained how video image and video denoising work, but, denoising not only means digital noise on the screen, of course. It can be literally a noise! The sound which is not so pleasant to listen to… Audio background denoising is to remove unwanted hum from the audio in order for it to become more hearable. So, doing this in Wondershare Filmora works in a quite easy way. Use the guideline:

Drag and drop your video into the timeline. Right-click on the clip and hit Detach Audio, which will let you separate audio and video from one another and make sure you can work on them one by one.

Double-click on the audio track and have access to the editing panel, where you can see Remove background noise – it is not needed to emphasize what this option does for you!

Keep in mind that there is a second way to achieve the same result as well, but this in case you don’t want to detach the audio: Double-click on the video clip in the timeline, the editing panel opens, so switch to Audio. Checking the box next to Remove background noise will show that there are three levels – weak, mid, and strong, and of course, you can choose to your liking!

If the voice recording doesn’t sound natural anymore, you can do the following: Click on Customize and Customize Equalizer window will open.

On the left, you can see the low tunes, while the highs are on the right. Background noises are often on the left, so you can lower them to get rid of them, but in order to have a more natural sound, raise the middle ones a little – and you are done when you are content with the sound!

So, in this article, you learned about different noises, and about different tools and programs to denoise your images, videos, and audios! Pretty enlightening, ha? Let’s hope this is something you are looking for, and will put to good use very, very soon!

Free Download For macOS 10.14 or later

With this, you will see the Smart Denoise, where you are able to change opacity of the clip, threshold and radius.

You can now reduce Opacity until you are satisfied with the result. The box next to Smart Denoise will show you the scene before and after the effect.

Of course, it is much easier than DeNoise AI looks and works, and it’s worth the try – will take so much less minutes!

Bonus tip: Wondershare Filmora audio denoise

We already explained how video image and video denoising work, but, denoising not only means digital noise on the screen, of course. It can be literally a noise! The sound which is not so pleasant to listen to… Audio background denoising is to remove unwanted hum from the audio in order for it to become more hearable. So, doing this in Wondershare Filmora works in a quite easy way. Use the guideline:

Drag and drop your video into the timeline. Right-click on the clip and hit Detach Audio, which will let you separate audio and video from one another and make sure you can work on them one by one.

Double-click on the audio track and have access to the editing panel, where you can see Remove background noise – it is not needed to emphasize what this option does for you!

Keep in mind that there is a second way to achieve the same result as well, but this in case you don’t want to detach the audio: Double-click on the video clip in the timeline, the editing panel opens, so switch to Audio. Checking the box next to Remove background noise will show that there are three levels – weak, mid, and strong, and of course, you can choose to your liking!

If the voice recording doesn’t sound natural anymore, you can do the following: Click on Customize and Customize Equalizer window will open.

On the left, you can see the low tunes, while the highs are on the right. Background noises are often on the left, so you can lower them to get rid of them, but in order to have a more natural sound, raise the middle ones a little – and you are done when you are content with the sound!

So, in this article, you learned about different noises, and about different tools and programs to denoise your images, videos, and audios! Pretty enlightening, ha? Let’s hope this is something you are looking for, and will put to good use very, very soon!

Pro Video Editor’s Choice: 10 Invaluable Plugins for Seamless Cutting and Trimming

10 Best Reaper Plugins You Need to Know (Free Download)

Benjamin Arango

Mar 27, 2024• Proven solutions

Reaper is a digital audio workstation software and MIDI sequencer. Cockos created it for the ease of musicians and music producers. It features much different functionality and provides a wide range of control. It also contains several commonly used audio production effects.

Tools like ReaVerb ReaComp, ReaGate, ReaDelay, and others are all incorporated within Reaper. The Reaper plug-ins are also accessible as a separate download file for other users.

It also includes many different and a wide range of JSFX plugins , all ranging from a standard to specific applications for audio and MIDI. With so many inbuilt features, this software is sure to pack a punch.

But if you are a professional artist that desires even more features and controls, then there are downloadable plugins available for you. You can download them according to your taste and the functionality that you need. But not all are good or useful to download.

Therefore, here we will be covering the best Reaper plugins out there that you can use to enhance your functionality.

10 Best Reaper Plugins that you should know

1. TAL-NoiseMaker

TAL-NoiseMaker has been an improved and updated version of the TAL-Elek7ro. It now features tons of improvements in sound quality and usability.

It also has an entirely new synth, allowing more control. It has an improved amplitude, which is very suitable for both the fast envelopes as well as slow pads. If you are confused about the setting, then there are 120 presets already included. It also includes new filter types and as a self-resonating 64db low pass and even a notch filter.

• 3 Oscillator with many features and functionality
• Has a built-in reverb and delay
• Adjustable master tune and transpose. Adjustable volume control and pitch wheel control

2. Azurite

Azurite is the plugin that is easy and offers excellent control. It is a multi-voice chorus inclined towards the rich sounds and easy to use versatile controls. Unlike other choruses out there, Azurite allows for multiple simultaneous voices. Each is having its delay line, which is modulated by separate LFOs. It results in a thicker, less wobbly, and smoother tone. It also features other essential functionalities such as;

• Twenty-seven built-in presets if you are confused.
• 2- band equalizer
• Delay time from 0.2ms up to 200ms.

3. Argotlunar

If you are looking for a tool for creating a transformation of the audio streams, then Argotlunar is your pick. It is a real-time delay-line granulator. What it does is that it disintegrates the audio stream into grains. Each grain has its set off random amplitude, delay, pitch, etc. Then the output of all the grains is gathered and mixed and then sent into the main production. Other features include:

• Syncing up of time-related parameters to the host tempo
• Quantization of pitch related parameters.
• Easy to use and multifunctional interface.

4. OrilRiver

OrilRiver is a plugin that can stimulate the reverberation of a large hall to a small room. It is an algorithmic stereo reverb that is packed with a natural and user-friendly interface to adjust the reverb according to your preferences. It includes many features such as;

• Three-band equalizer for wet signals
• Interface with two graphics
• 12 different variations of early reflection

5. BlueARP by Olig Mikheev

If you are looking for a step sequencer, then BlueARP is your pick. It is a programmable pattern arpeggiator. It is a simple MIDI plugin; therefore, you will need to route it to software or hardware synth. Those fond of electronic music usually use the BlueARP, but it has many other applications besides that. Programming a pattern using this is fast and comfortable so that you can never get confused. Some additional features include;

• Features 64 programs per bank and up to 64 steps per pattern and
• Real-time quantization
• Fully configurable color schemes

6. Blip2000 by WOK

A free to use matrix sequencer plugin, Blip2000 is very easy to use and has an evident interference. It has up to 16 number of selectable steps, and notes per line are selectable from 3 octaves included with the display. Other features

that it has:

• Has several play modes
• Low on CPU usage
• You can save your sequences as VST plugins in the presets for later use

7. Smear

There are many granulation effect plugins out there, but Smear stands out of them all. It carries the basic parameters of sample-based granular synthesis. This program creates four different grains, each having a random size between the control of minimum and maximum grain. For each grain, there are individual panning and level controls. Other features include;

• Feedback Control for the level of granulated signals
• A wide selection of popular window shapes
• Some non-standard shapes to mix it up

8. Step Machine

Step machine is in the style of the step sequencer, although it is a midi loop sequencer. But to use it, you need to support midi output from the VST plugins. It offers control of the velocity, loop, pitch, octave, gate, and slide through each step as the host plays. A very detailed plugin for those looking for a professional touch. Other features include:

• Two assignable midi CC sequencer
• Features a complex randomize function and a force to scale function
• A comfortable and fully functional interface

9. BiFilter

BiFIlter, as the name suggests, is a stereo multi-mode filter with a wide array of 47 different sounding filter types. By combining these filters with eight distortion types, waveshaping, AM, FM, and lo-fi effects, you can create unique sounds. It is very user friendly with a simple display that shows everything. Other features;

• 100 presets, all ready for you to choose from
• Shallow GPU consumption
• Forty-seven different filters and eight distortion types

10. Aqualizer by RJ Projects

With many astonishing and excellent reviews, Aqualizer has to be a plugin that you must own. It is a digital equalizer and can be used to filter sounds. It is sure to satisfy the needs of sound artists and DJs. It is equipped with an easy to use interface but has many other never before seen features to offer as well.

• Maximum of 32 bands
• User-friendly interface and is accessible on the GPU as well
• Comes with a detailed manual filled with easy to read instructions

Conclusion

These were some of the best plugins among hundreds and thousands out there. Most are also free for you to use. Each plugin has its uses and carries many unmatchable features. All of them are sure to satisfy your taste of high profile editing, with non-complicated interfaces. Therefore it is up to you to use whichever you think will be the best for your work.

Benjamin Arango

Benjamin Arango is a writer and a lover of all things video.

Follow @Benjamin Arango

Benjamin Arango

Mar 27, 2024• Proven solutions

Reaper is a digital audio workstation software and MIDI sequencer. Cockos created it for the ease of musicians and music producers. It features much different functionality and provides a wide range of control. It also contains several commonly used audio production effects.

Tools like ReaVerb ReaComp, ReaGate, ReaDelay, and others are all incorporated within Reaper. The Reaper plug-ins are also accessible as a separate download file for other users.

It also includes many different and a wide range of JSFX plugins , all ranging from a standard to specific applications for audio and MIDI. With so many inbuilt features, this software is sure to pack a punch.

But if you are a professional artist that desires even more features and controls, then there are downloadable plugins available for you. You can download them according to your taste and the functionality that you need. But not all are good or useful to download.

Therefore, here we will be covering the best Reaper plugins out there that you can use to enhance your functionality.

10 Best Reaper Plugins that you should know

1. TAL-NoiseMaker

TAL-NoiseMaker has been an improved and updated version of the TAL-Elek7ro. It now features tons of improvements in sound quality and usability.

It also has an entirely new synth, allowing more control. It has an improved amplitude, which is very suitable for both the fast envelopes as well as slow pads. If you are confused about the setting, then there are 120 presets already included. It also includes new filter types and as a self-resonating 64db low pass and even a notch filter.

• 3 Oscillator with many features and functionality
• Has a built-in reverb and delay
• Adjustable master tune and transpose. Adjustable volume control and pitch wheel control

2. Azurite

Azurite is the plugin that is easy and offers excellent control. It is a multi-voice chorus inclined towards the rich sounds and easy to use versatile controls. Unlike other choruses out there, Azurite allows for multiple simultaneous voices. Each is having its delay line, which is modulated by separate LFOs. It results in a thicker, less wobbly, and smoother tone. It also features other essential functionalities such as;

• Twenty-seven built-in presets if you are confused.
• 2- band equalizer
• Delay time from 0.2ms up to 200ms.

3. Argotlunar

If you are looking for a tool for creating a transformation of the audio streams, then Argotlunar is your pick. It is a real-time delay-line granulator. What it does is that it disintegrates the audio stream into grains. Each grain has its set off random amplitude, delay, pitch, etc. Then the output of all the grains is gathered and mixed and then sent into the main production. Other features include:

• Syncing up of time-related parameters to the host tempo
• Quantization of pitch related parameters.
• Easy to use and multifunctional interface.

4. OrilRiver

OrilRiver is a plugin that can stimulate the reverberation of a large hall to a small room. It is an algorithmic stereo reverb that is packed with a natural and user-friendly interface to adjust the reverb according to your preferences. It includes many features such as;

• Three-band equalizer for wet signals
• Interface with two graphics
• 12 different variations of early reflection

5. BlueARP by Olig Mikheev

If you are looking for a step sequencer, then BlueARP is your pick. It is a programmable pattern arpeggiator. It is a simple MIDI plugin; therefore, you will need to route it to software or hardware synth. Those fond of electronic music usually use the BlueARP, but it has many other applications besides that. Programming a pattern using this is fast and comfortable so that you can never get confused. Some additional features include;

• Features 64 programs per bank and up to 64 steps per pattern and
• Real-time quantization
• Fully configurable color schemes

6. Blip2000 by WOK

A free to use matrix sequencer plugin, Blip2000 is very easy to use and has an evident interference. It has up to 16 number of selectable steps, and notes per line are selectable from 3 octaves included with the display. Other features

that it has:

• Has several play modes
• Low on CPU usage
• You can save your sequences as VST plugins in the presets for later use

7. Smear

There are many granulation effect plugins out there, but Smear stands out of them all. It carries the basic parameters of sample-based granular synthesis. This program creates four different grains, each having a random size between the control of minimum and maximum grain. For each grain, there are individual panning and level controls. Other features include;

• Feedback Control for the level of granulated signals
• A wide selection of popular window shapes
• Some non-standard shapes to mix it up

8. Step Machine

Step machine is in the style of the step sequencer, although it is a midi loop sequencer. But to use it, you need to support midi output from the VST plugins. It offers control of the velocity, loop, pitch, octave, gate, and slide through each step as the host plays. A very detailed plugin for those looking for a professional touch. Other features include:

• Two assignable midi CC sequencer
• Features a complex randomize function and a force to scale function
• A comfortable and fully functional interface

9. BiFilter

BiFIlter, as the name suggests, is a stereo multi-mode filter with a wide array of 47 different sounding filter types. By combining these filters with eight distortion types, waveshaping, AM, FM, and lo-fi effects, you can create unique sounds. It is very user friendly with a simple display that shows everything. Other features;

• 100 presets, all ready for you to choose from
• Shallow GPU consumption
• Forty-seven different filters and eight distortion types

10. Aqualizer by RJ Projects

With many astonishing and excellent reviews, Aqualizer has to be a plugin that you must own. It is a digital equalizer and can be used to filter sounds. It is sure to satisfy the needs of sound artists and DJs. It is equipped with an easy to use interface but has many other never before seen features to offer as well.

• Maximum of 32 bands
• User-friendly interface and is accessible on the GPU as well
• Comes with a detailed manual filled with easy to read instructions

Conclusion

These were some of the best plugins among hundreds and thousands out there. Most are also free for you to use. Each plugin has its uses and carries many unmatchable features. All of them are sure to satisfy your taste of high profile editing, with non-complicated interfaces. Therefore it is up to you to use whichever you think will be the best for your work.

Benjamin Arango

Benjamin Arango is a writer and a lover of all things video.

Follow @Benjamin Arango

Benjamin Arango

Mar 27, 2024• Proven solutions

Reaper is a digital audio workstation software and MIDI sequencer. Cockos created it for the ease of musicians and music producers. It features much different functionality and provides a wide range of control. It also contains several commonly used audio production effects.

Tools like ReaVerb ReaComp, ReaGate, ReaDelay, and others are all incorporated within Reaper. The Reaper plug-ins are also accessible as a separate download file for other users.

It also includes many different and a wide range of JSFX plugins , all ranging from a standard to specific applications for audio and MIDI. With so many inbuilt features, this software is sure to pack a punch.

But if you are a professional artist that desires even more features and controls, then there are downloadable plugins available for you. You can download them according to your taste and the functionality that you need. But not all are good or useful to download.

Therefore, here we will be covering the best Reaper plugins out there that you can use to enhance your functionality.

10 Best Reaper Plugins that you should know

1. TAL-NoiseMaker

TAL-NoiseMaker has been an improved and updated version of the TAL-Elek7ro. It now features tons of improvements in sound quality and usability.

It also has an entirely new synth, allowing more control. It has an improved amplitude, which is very suitable for both the fast envelopes as well as slow pads. If you are confused about the setting, then there are 120 presets already included. It also includes new filter types and as a self-resonating 64db low pass and even a notch filter.

• 3 Oscillator with many features and functionality
• Has a built-in reverb and delay
• Adjustable master tune and transpose. Adjustable volume control and pitch wheel control

2. Azurite

Azurite is the plugin that is easy and offers excellent control. It is a multi-voice chorus inclined towards the rich sounds and easy to use versatile controls. Unlike other choruses out there, Azurite allows for multiple simultaneous voices. Each is having its delay line, which is modulated by separate LFOs. It results in a thicker, less wobbly, and smoother tone. It also features other essential functionalities such as;

• Twenty-seven built-in presets if you are confused.
• 2- band equalizer
• Delay time from 0.2ms up to 200ms.

3. Argotlunar

If you are looking for a tool for creating a transformation of the audio streams, then Argotlunar is your pick. It is a real-time delay-line granulator. What it does is that it disintegrates the audio stream into grains. Each grain has its set off random amplitude, delay, pitch, etc. Then the output of all the grains is gathered and mixed and then sent into the main production. Other features include:

• Syncing up of time-related parameters to the host tempo
• Quantization of pitch related parameters.
• Easy to use and multifunctional interface.

4. OrilRiver

OrilRiver is a plugin that can stimulate the reverberation of a large hall to a small room. It is an algorithmic stereo reverb that is packed with a natural and user-friendly interface to adjust the reverb according to your preferences. It includes many features such as;

• Three-band equalizer for wet signals
• Interface with two graphics
• 12 different variations of early reflection

5. BlueARP by Olig Mikheev

If you are looking for a step sequencer, then BlueARP is your pick. It is a programmable pattern arpeggiator. It is a simple MIDI plugin; therefore, you will need to route it to software or hardware synth. Those fond of electronic music usually use the BlueARP, but it has many other applications besides that. Programming a pattern using this is fast and comfortable so that you can never get confused. Some additional features include;

• Features 64 programs per bank and up to 64 steps per pattern and
• Real-time quantization
• Fully configurable color schemes

6. Blip2000 by WOK

A free to use matrix sequencer plugin, Blip2000 is very easy to use and has an evident interference. It has up to 16 number of selectable steps, and notes per line are selectable from 3 octaves included with the display. Other features

that it has:

• Has several play modes
• Low on CPU usage
• You can save your sequences as VST plugins in the presets for later use

7. Smear

There are many granulation effect plugins out there, but Smear stands out of them all. It carries the basic parameters of sample-based granular synthesis. This program creates four different grains, each having a random size between the control of minimum and maximum grain. For each grain, there are individual panning and level controls. Other features include;

• Feedback Control for the level of granulated signals
• A wide selection of popular window shapes
• Some non-standard shapes to mix it up

8. Step Machine

Step machine is in the style of the step sequencer, although it is a midi loop sequencer. But to use it, you need to support midi output from the VST plugins. It offers control of the velocity, loop, pitch, octave, gate, and slide through each step as the host plays. A very detailed plugin for those looking for a professional touch. Other features include:

• Two assignable midi CC sequencer
• Features a complex randomize function and a force to scale function
• A comfortable and fully functional interface

9. BiFilter

BiFIlter, as the name suggests, is a stereo multi-mode filter with a wide array of 47 different sounding filter types. By combining these filters with eight distortion types, waveshaping, AM, FM, and lo-fi effects, you can create unique sounds. It is very user friendly with a simple display that shows everything. Other features;

• 100 presets, all ready for you to choose from
• Shallow GPU consumption
• Forty-seven different filters and eight distortion types

10. Aqualizer by RJ Projects

With many astonishing and excellent reviews, Aqualizer has to be a plugin that you must own. It is a digital equalizer and can be used to filter sounds. It is sure to satisfy the needs of sound artists and DJs. It is equipped with an easy to use interface but has many other never before seen features to offer as well.

• Maximum of 32 bands
• User-friendly interface and is accessible on the GPU as well
• Comes with a detailed manual filled with easy to read instructions

Conclusion

These were some of the best plugins among hundreds and thousands out there. Most are also free for you to use. Each plugin has its uses and carries many unmatchable features. All of them are sure to satisfy your taste of high profile editing, with non-complicated interfaces. Therefore it is up to you to use whichever you think will be the best for your work.

Benjamin Arango

Benjamin Arango is a writer and a lover of all things video.

Follow @Benjamin Arango

Benjamin Arango

Mar 27, 2024• Proven solutions

Reaper is a digital audio workstation software and MIDI sequencer. Cockos created it for the ease of musicians and music producers. It features much different functionality and provides a wide range of control. It also contains several commonly used audio production effects.

Tools like ReaVerb ReaComp, ReaGate, ReaDelay, and others are all incorporated within Reaper. The Reaper plug-ins are also accessible as a separate download file for other users.

It also includes many different and a wide range of JSFX plugins , all ranging from a standard to specific applications for audio and MIDI. With so many inbuilt features, this software is sure to pack a punch.

But if you are a professional artist that desires even more features and controls, then there are downloadable plugins available for you. You can download them according to your taste and the functionality that you need. But not all are good or useful to download.

Therefore, here we will be covering the best Reaper plugins out there that you can use to enhance your functionality.

10 Best Reaper Plugins that you should know

1. TAL-NoiseMaker

TAL-NoiseMaker has been an improved and updated version of the TAL-Elek7ro. It now features tons of improvements in sound quality and usability.

It also has an entirely new synth, allowing more control. It has an improved amplitude, which is very suitable for both the fast envelopes as well as slow pads. If you are confused about the setting, then there are 120 presets already included. It also includes new filter types and as a self-resonating 64db low pass and even a notch filter.

• 3 Oscillator with many features and functionality
• Has a built-in reverb and delay
• Adjustable master tune and transpose. Adjustable volume control and pitch wheel control

2. Azurite

Azurite is the plugin that is easy and offers excellent control. It is a multi-voice chorus inclined towards the rich sounds and easy to use versatile controls. Unlike other choruses out there, Azurite allows for multiple simultaneous voices. Each is having its delay line, which is modulated by separate LFOs. It results in a thicker, less wobbly, and smoother tone. It also features other essential functionalities such as;

• Twenty-seven built-in presets if you are confused.
• 2- band equalizer
• Delay time from 0.2ms up to 200ms.

3. Argotlunar

If you are looking for a tool for creating a transformation of the audio streams, then Argotlunar is your pick. It is a real-time delay-line granulator. What it does is that it disintegrates the audio stream into grains. Each grain has its set off random amplitude, delay, pitch, etc. Then the output of all the grains is gathered and mixed and then sent into the main production. Other features include:

• Syncing up of time-related parameters to the host tempo
• Quantization of pitch related parameters.
• Easy to use and multifunctional interface.

4. OrilRiver

OrilRiver is a plugin that can stimulate the reverberation of a large hall to a small room. It is an algorithmic stereo reverb that is packed with a natural and user-friendly interface to adjust the reverb according to your preferences. It includes many features such as;

• Three-band equalizer for wet signals
• Interface with two graphics
• 12 different variations of early reflection

5. BlueARP by Olig Mikheev

If you are looking for a step sequencer, then BlueARP is your pick. It is a programmable pattern arpeggiator. It is a simple MIDI plugin; therefore, you will need to route it to software or hardware synth. Those fond of electronic music usually use the BlueARP, but it has many other applications besides that. Programming a pattern using this is fast and comfortable so that you can never get confused. Some additional features include;

• Features 64 programs per bank and up to 64 steps per pattern and
• Real-time quantization
• Fully configurable color schemes

6. Blip2000 by WOK

A free to use matrix sequencer plugin, Blip2000 is very easy to use and has an evident interference. It has up to 16 number of selectable steps, and notes per line are selectable from 3 octaves included with the display. Other features

that it has:

• Has several play modes
• Low on CPU usage
• You can save your sequences as VST plugins in the presets for later use

7. Smear

There are many granulation effect plugins out there, but Smear stands out of them all. It carries the basic parameters of sample-based granular synthesis. This program creates four different grains, each having a random size between the control of minimum and maximum grain. For each grain, there are individual panning and level controls. Other features include;

• Feedback Control for the level of granulated signals
• A wide selection of popular window shapes
• Some non-standard shapes to mix it up

8. Step Machine

Step machine is in the style of the step sequencer, although it is a midi loop sequencer. But to use it, you need to support midi output from the VST plugins. It offers control of the velocity, loop, pitch, octave, gate, and slide through each step as the host plays. A very detailed plugin for those looking for a professional touch. Other features include:

• Two assignable midi CC sequencer
• Features a complex randomize function and a force to scale function
• A comfortable and fully functional interface

9. BiFilter

BiFIlter, as the name suggests, is a stereo multi-mode filter with a wide array of 47 different sounding filter types. By combining these filters with eight distortion types, waveshaping, AM, FM, and lo-fi effects, you can create unique sounds. It is very user friendly with a simple display that shows everything. Other features;

• 100 presets, all ready for you to choose from
• Shallow GPU consumption
• Forty-seven different filters and eight distortion types

10. Aqualizer by RJ Projects

With many astonishing and excellent reviews, Aqualizer has to be a plugin that you must own. It is a digital equalizer and can be used to filter sounds. It is sure to satisfy the needs of sound artists and DJs. It is equipped with an easy to use interface but has many other never before seen features to offer as well.

• Maximum of 32 bands
• User-friendly interface and is accessible on the GPU as well
• Comes with a detailed manual filled with easy to read instructions

Conclusion

These were some of the best plugins among hundreds and thousands out there. Most are also free for you to use. Each plugin has its uses and carries many unmatchable features. All of them are sure to satisfy your taste of high profile editing, with non-complicated interfaces. Therefore it is up to you to use whichever you think will be the best for your work.

Benjamin Arango

Benjamin Arango is a writer and a lover of all things video.

Follow @Benjamin Arango

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